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From the detailed design of the universe,

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can we deduce the preferences of its Creator?

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If the universe truly has a designer,

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can we appreciate it like an architect's portfolio,

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using the design details

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to work backward to their aesthetic preferences?

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I'm not asking if they exist,

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but rather,

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if they do exist,

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what is their taste?

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Hello,

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everyone.

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I'm Wang Lijie.

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Today, I want to conduct a thought experiment.

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Let's assume a Creator actually exists,

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and then, like a detective,

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extract clues from the blueprints of the universe.

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When you look at an architect's work collectively,

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you can definitely see their stylistic preferences.

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What about the designer of the universe?

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In this 13.8-billion-year portfolio,

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what design languages are used repeatedly?

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I've found at least five.

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The first preference:

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Self-similarity.

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When you break off a piece of broccoli,

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that small piece

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looks almost exactly like the entire head.

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If you break off an even smaller piece,

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it still has the same shape.

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This phenomenon is called a fractal,

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where the parts and the whole are structurally similar.

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But broccoli is just the beginning.

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Zoom out further:

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the way a tree's branches fork

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is almost identical to how the main trunk forks.

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The shape of a river's tributaries

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is nearly the same as the shape of the entire river.

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The bronchi inside your lungs

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branch out twenty-three times,

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each time following the same rules for angles and ratios.

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It's the same with your vascular system.

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From the aorta down to the capillaries,

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the entire structure repeats the same branching pattern.

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Now, let's zoom out to a cosmic scale.

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Astronomers have discovered

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that galaxies are not distributed uniformly,

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but instead form massive filaments and voids,

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known as the cosmic web.

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The structure of this cosmic web

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and the structure of the neural networks in your brain

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are strikingly similar in their statistical characteristics.

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In 2020, Italian astrophysicist Franco Vazza

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and neuroscientist Alberto Feletti

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conducted a study.

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They compared simulated images of the cosmic web

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with microscopic photos of neural networks in the brain.

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They found that in terms of power spectrum density, node distribution,

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and connectivity density, they almost overlap.

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The scale of the universe is tens of billions of light-years;

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the scale of a brain is about a dozen centimeters—

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a difference of 28 orders of magnitude.

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Yet, their network structures are almost identical.

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If you put a photo of the cosmic web next to a brain slice,

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without labels,

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many people couldn't tell which is which.

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If you think about this carefully,

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it is truly incredible.

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The brain is a biological organ evolved over billions of years;

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the cosmic web is a large-scale structure sculpted by gravity

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and dark matter over billions of years.

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There is no causal relationship between the two;

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neither one is imitating the other.

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Yet, they look the same.

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This implies a deeper organizational principle

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that independently produces the same network topology

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across completely different physical processes.

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What does this show?

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It shows the Creator has a strong preference:

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Scaling the same template over and over again.

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He doesn't design a separate solution for every scale.

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He uses a simple rule

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and lets it unfold automatically across all scales.

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You could call this laziness,

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or you could call it ultimate elegance—

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generating maximum structure with minimum rules.

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The second preference:

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The spiral.

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If you ask me

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what the universe's favorite shape is,

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my answer isn't the sphere;

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it's the spiral.

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Look at the Milky Way,

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it's a spiral galaxy.

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Look at a typhoon,

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viewed from space,

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it's a spiral.

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Look at the arrangement of sunflower seeds:

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34 spirals clockwise,

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55 spirals counter-clockwise.

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34 and 55 are adjacent Fibonacci numbers.

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Look at a nautilus shell,

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it's a logarithmic spiral.

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Look at DNA,

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it's a double helix.

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The vortex of water going down a drain?

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Also a spiral.

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In 2025,

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a very interesting study

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was published in a physics journal.

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Researchers proposed that spirals are ubiquitous

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because they are the optimal path for energy dissipation during entropy increase.

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In plain English:

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When energy flows from high to low density,

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the spiral is the most efficient path.

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Like water flowing downhill,

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if terrain permits,

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it won't go in a straight line;

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it will spiral.

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Because spirals distribute energy through the widest space in the shortest time.

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Think about what this means.

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From the fingerprints on your hand

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to the whorl on your head,

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the typhoon beneath your feet,

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to the galaxy above your head—

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they are all spirals.

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The spiral isn't a specific phenomenon of one field;

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it's the fundamental geometric language the universe repeats at all scales.

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This means the spiral isn't a stylistic choice by the Creator,

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but an inevitable product of the laws of physics.

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But look at it another way:

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If the Creator is the author of those physical laws,

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then designing them to produce spirals

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is itself a preference.

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Even more intriguing is the Fibonacci sequence.

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Why don't sunflowers arrange their seeds randomly,

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instead of strictly following the Fibonacci spiral?

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Because this allows the most seeds to be packed into the smallest area.

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The angle between each new seed

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is approximately 137.5 degrees.

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This is called the Golden Angle,

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the golden ratio of a circle.

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This angle has a magical property:

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It is the angle least approachable by any rational number.

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What does that mean?

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It means seeds arranged at this angle

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will never line up in a straight path;

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they fill the space most densely and uniformly.

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It seems

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the Creator dislikes gaps;

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he likes to pack space full.

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The third preference:

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Nesting.

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Planets orbit stars;

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moons orbit planets;

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stars orbit the galactic center;

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galaxies move around even larger galaxy clusters.

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This orbital structure is layered,

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like Russian nesting dolls.

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What about the microscopic view?

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In the Bohr model,

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electrons orbit the atomic nucleus.

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This image is strikingly similar to planets orbiting the sun.

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Of course,

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I must immediately mention a crucial difference.

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Quantum mechanics tells us

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that electrons don't actually orbit in circles like planets do.

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An electron's movement is described by a probability cloud.

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The Bohr model has been replaced by more precise quantum mechanics.

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But one thing remains true:

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Both gravity and electromagnetism follow the inverse-square law.

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Meaning, the force is inversely proportional to the square of the distance.

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Because this mathematical structure is identical,

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from the macroscopic to the microscopic,

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a structure emerges where small things are bound by large ones to specific regions.

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Gravity binds planets;

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electromagnetism binds electrons.

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The nature of the forces is completely different,

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but the mathematical skeleton is the same,

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resulting in the same geometric structure.

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The Moon orbits the Earth;

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the Earth orbits the Sun;

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the Sun orbits the galactic center.

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This is no coincidence.

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It is a geometric necessity of the inverse-square law.

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But think about it:

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Why are the two most important forces in the universe—

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gravity and electromagnetism—both inverse-square forces?

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It's not logically inevitable.

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You could design a universe where force intensity

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is inversely proportional to the cube of the distance.

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But in that universe,

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stable orbits would not exist.

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The inverse-square law is the only decay form known to produce stable, closed orbits.

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That is a mathematical theorem,

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not a conjecture.

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The Creator chose the inverse-square law,

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and the direct consequence of this choice

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is a universe full of things orbiting other things.

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From subatomic particles to superclusters,

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the entire universe consists of layers of orbits,

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layers upon layers of nesting.

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He seems to really love this structure.

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You could even say

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the entire universe is a symphony written with orbits and nesting,

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where different movements use different forces.

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The fourth preference:

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Near-symmetry,

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but not perfect symmetry.

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A very interesting feature of the universe is

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that it is nearly symmetrical at all scales,

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yet never perfectly so.

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Your face is almost symmetrical,

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but if you mirrored the left half

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to create a perfectly symmetrical face,

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it would look very strange to you.

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Perfect symmetry feels unnatural.

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The same is true in particle physics.

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During the Big Bang,

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matter and antimatter should have been produced in equal amounts.

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Perfectly symmetrical.

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If it were truly perfectly symmetrical,

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they would have all annihilated each other,

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leaving an empty universe of only photons.

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But at that moment,

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a tiny break in symmetry occurred.

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For every billion antimatter particles,

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there was one extra matter particle.

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This one-in-a-billion asymmetry

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constitutes all the galaxies in the universe today,

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all the stars, and all of life.

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If perfect symmetry equals death,

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then a tiny asymmetry equals everything.

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The Creator doesn't like absolute symmetry;

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He likes being 'just slightly off.'

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This 'offness' is not a flaw;

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it is the ultimate secret.

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Like syncopation in music,

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it is that rhythm shifted by half a beat

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that gives the melody its soul.

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This pattern repeats in many more places.

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Snowflakes have hexagonal symmetry,

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but no two points on a single flake are identical.

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Leaves are bilaterally symmetrical,

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yet the two halves never perfectly overlap.

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Galaxies exhibit rotational symmetry,

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but their spiral arms vary in length.

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The DNA double helix is symmetrical,

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but the base sequences of the two strands are completely different.

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Think about your own body.

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Your heart is on the left;

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your liver is on the right.

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Your left hemisphere excels at language and logic;

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your right hemisphere excels at space and intuition.

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If your brain were perfectly symmetrical,

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with each hemisphere doing the exact same thing,

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that wouldn't be an upgrade.

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It would be redundancy;

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it would be a waste.

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It is precisely because the halves are different

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that a division of labor occurs.

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Division of labor leads to integration,

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which creates a whole more powerful than the sum of its parts.

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Asymmetry is not a failure of symmetry;

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it is the evolution of symmetry.

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The Creator's taste seems to be:

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use symmetry to establish order,

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and asymmetry to inject vitality.

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The fifth preference:

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Emergence.

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We've discussed emergence many times on this channel.

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Here, I'll mention it only in terms of the Creator's preference.

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A single ant knows nothing;

274
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its brain has only 250,000 neurons.

275
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Yet, a colony can build sophisticated temperature-controlled nests,

276
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wage wars,

277
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and maintain fungal farms.

278
00:10:20,267 --> 00:10:23,751
No individual ant possesses the blueprint for the nest,

279
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yet the nest gets built.

280
00:10:26,986 --> 00:10:29,072
A single bee knows no geometry,

281
00:10:29,346 --> 00:10:32,532
but the hexagonal honeycombs they build are one of nature's

282
00:10:32,547 --> 00:10:35,312
most efficient space-filling structures.

283
00:10:35,947 --> 00:10:39,192
A starling's brain cannot perform complex calculations,

284
00:10:39,466 --> 00:10:42,951
but thousands of them flying in a murmuration

285
00:10:43,067 --> 00:10:45,392
create breathtakingly beautiful patterns—

286
00:10:45,626 --> 00:10:48,991
like a giant, living, constantly morphing sculpture.

287
00:10:49,267 --> 00:10:50,432
Emergence means that

288
00:10:50,506 --> 00:10:52,951
if you put enough simple individuals together,

289
00:10:52,986 --> 00:10:54,951
and let them interact according to simple rules,

290
00:10:54,986 --> 00:10:57,152
complex order will appear automatically.

291
00:10:57,267 --> 00:10:58,052
No blueprint needed.

292
00:10:58,267 --> 00:10:59,426
No commander needed.

293
00:10:59,427 --> 00:11:00,751
No design drawings needed.

294
00:11:00,866 --> 00:11:03,145
If you were an omniscient and omnipotent creator,

295
00:11:03,147 --> 00:11:05,392
you could design the universe in two ways.

296
00:11:05,626 --> 00:11:08,871
The first is to draw blueprints for everything in advance:

297
00:11:09,067 --> 00:11:11,892
how every river flows, the shape of every tree,

298
00:11:12,267 --> 00:11:14,231
how many arms each galaxy has—

299
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all preset in advance.

300
00:11:15,626 --> 00:11:17,351
This is top-down design.

301
00:11:17,626 --> 00:11:20,351
The second is to write just a few fundamental rules,

302
00:11:20,427 --> 00:11:22,111
then press the start button,

303
00:11:22,187 --> 00:11:23,871
and let everything grow on its own.

304
00:11:24,307 --> 00:11:25,991
The universe chose the second way.

305
00:11:26,427 --> 00:11:28,631
This is the Creator's deepest preference,

306
00:11:28,787 --> 00:11:31,272
and perhaps his most awe-inspiring taste.

307
00:11:31,586 --> 00:11:32,611
He doesn't design the results;

308
00:11:33,027 --> 00:11:34,272
he designs the rules.

309
00:11:34,506 --> 00:11:37,951
Then he lets the rules generate endless possibilities.

310
00:11:38,226 --> 00:11:39,392
He doesn't draw snowflakes;

311
00:11:39,626 --> 00:11:41,871
he writes the bond angles of water molecules.

312
00:11:42,106 --> 00:11:43,172
He doesn't draw the Milky Way;

313
00:11:43,547 --> 00:11:45,152
he writes the gravitational constant.

314
00:11:45,386 --> 00:11:46,131
He doesn't draw you;

315
00:11:46,547 --> 00:11:48,871
he writes the coding rules for DNA.

316
00:11:49,147 --> 00:11:52,471
This design philosophy has a chilling characteristic:

317
00:11:52,706 --> 00:11:55,471
when you only set rules and not outcomes,

318
00:11:55,706 --> 00:11:57,392
the results are unpredictable.

319
00:11:57,547 --> 00:11:59,392
Even if you know all the rules,

320
00:11:59,466 --> 00:12:01,831
you cannot calculate all the outcomes in advance.

321
00:12:02,027 --> 00:12:04,072
It's not due to a lack of computing power,

322
00:12:04,187 --> 00:12:08,552
but because some emergent phenomena are fundamentally unpredictable.

323
00:12:08,787 --> 00:12:12,032
Anderson's 1972 paper title is the answer:

324
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"More Is Different."

325
00:12:13,746 --> 00:12:16,392
If even the Creator cannot foresee emergent outcomes,

326
00:12:16,547 --> 00:12:17,946
then the existence of you and me

327
00:12:17,947 --> 00:12:20,351
is also a surprise to the Creator.

328
00:12:21,147 --> 00:12:23,991
He wrote a few rules about quarks and electrons;

329
00:12:24,106 --> 00:12:25,751
13.8 billion years later,

330
00:12:25,787 --> 00:12:30,631
these rules emerged into beings that can question the rules themselves.

331
00:12:30,947 --> 00:12:32,251
He sowed the laws of physics,

332
00:12:32,547 --> 00:12:33,871
but consciousness grew.

333
00:12:34,027 --> 00:12:37,272
This might be the most unexpected piece in his portfolio.

334
00:12:37,586 --> 00:12:37,772
Alright.

335
00:12:38,307 --> 00:12:41,032
Let's look at these five preferences together.

336
00:12:41,506 --> 00:12:42,552
Self-similarity:

337
00:12:43,147 --> 00:12:45,991
The same pattern repeating across all scales.

338
00:12:46,469 --> 00:12:47,269
Spirals:

339
00:12:47,787 --> 00:12:49,831
The optimal geometry for energy flow.

340
00:12:50,469 --> 00:12:51,269
Nesting:

341
00:12:51,746 --> 00:12:53,491
Small systems bound within larger ones,

342
00:12:53,866 --> 00:12:55,152
layer upon layer.

343
00:12:55,626 --> 00:12:56,871
Broken symmetry:

344
00:12:57,307 --> 00:12:59,751
Creating everything through tiny imperfections.

345
00:13:00,427 --> 00:13:01,231
Emergence:

346
00:13:01,746 --> 00:13:02,731
Defining only rules,

347
00:13:03,106 --> 00:13:04,272
not results.

348
00:13:04,586 --> 00:13:05,792
Have you noticed?

349
00:13:05,826 --> 00:13:09,572
These five preferences point to a deeper design philosophy:

350
00:13:10,147 --> 00:13:11,052
Using the least amount of things

351
00:13:11,466 --> 00:13:12,831
to generate the most.

352
00:13:13,307 --> 00:13:15,831
Economists would call it maximizing efficiency.

353
00:13:16,187 --> 00:13:18,951
Information theorists would call it optimal compression.

354
00:13:19,307 --> 00:13:22,192
Physicists would call it the Principle of Least Action.

355
00:13:22,386 --> 00:13:24,192
Mathematicians would call it elegance.

356
00:13:24,506 --> 00:13:27,432
And Buddhism has a term for it too:

357
00:13:27,706 --> 00:13:28,511
Dependent Origination.

358
00:13:28,826 --> 00:13:31,751
Things aren't manufactured individually;

359
00:13:31,907 --> 00:13:34,751
they arise naturally through a web of causes and conditions.

360
00:13:35,187 --> 00:13:36,672
The Creator doesn't create things;

361
00:13:36,947 --> 00:13:39,552
He creates conditions for all things to emerge.

362
00:13:39,866 --> 00:13:41,471
If you accept this premise,

363
00:13:41,506 --> 00:13:44,471
you reach an awe-inspiring yet unsettling conclusion:

364
00:13:44,866 --> 00:13:46,991
The Creator's preference is not control.

365
00:13:47,386 --> 00:13:48,392
Quite the opposite.

366
00:13:48,586 --> 00:13:50,312
His preference is letting go.

367
00:13:50,706 --> 00:13:51,652
He wrote the rules,

368
00:13:51,866 --> 00:13:53,032
and then stepped away.

369
00:13:53,267 --> 00:13:55,812
He let the universe generate and evolve on its own,

370
00:13:56,346 --> 00:13:59,032
letting things emerge that even he didn't foresee.

371
00:13:59,506 --> 00:14:00,672
So, the question is:

372
00:14:01,027 --> 00:14:03,265
If the Creator's preference is letting go,

373
00:14:03,267 --> 00:14:04,392
rather than control,

374
00:14:04,586 --> 00:14:08,172
why do you still expect an external force to arrange your life?

375
00:14:09,106 --> 00:14:13,072
Perhaps the Creator's greatest message is hidden in his design style.

376
00:14:13,346 --> 00:14:14,572
He has given you the rules;

377
00:14:15,147 --> 00:14:16,066
as for the rest,

378
00:14:16,067 --> 00:14:18,032
he trusts you to grow on your own.

379
00:14:18,307 --> 00:14:20,751
But there's one thing I'm unsure of.

380
00:14:20,986 --> 00:14:22,871
Did he choose to let go,

381
00:14:22,986 --> 00:14:25,892
or is letting go the only possible choice?

382
00:14:26,667 --> 00:14:29,072
If emergence is the universe's underlying logic,

383
00:14:29,187 --> 00:14:32,711
then control might never have been an option.

384
00:14:33,386 --> 00:14:35,385
Maybe it's not that the Creator prefers letting go,

385
00:14:35,386 --> 00:14:37,505
but that the mathematical structure of the universe dictates

386
00:14:37,506 --> 00:14:40,312
that letting go is the only way to produce complexity.

387
00:14:40,386 --> 00:14:40,851
This question...

388
00:14:41,187 --> 00:14:42,052
I've thought about it for a long time.

389
00:14:42,226 --> 00:14:43,111
There's no answer.

390
00:14:43,466 --> 00:14:44,392
I'll leave it to you.

391
00:14:44,826 --> 00:14:46,625
Do you think the design style of the universe

392
00:14:46,626 --> 00:14:47,905
is more like an artist,

393
00:14:47,907 --> 00:14:49,251
or more like a mathematician?

394
00:14:49,986 --> 00:14:50,851
Does he have taste,

395
00:14:51,147 --> 00:14:52,892
or is he taste itself?

396
00:14:53,787 --> 00:14:54,772
If you have thoughts,

397
00:14:55,067 --> 00:14:56,231
I'll see you in the comments.

398
00:14:56,626 --> 00:14:57,371
I'm Wang Lijie.

399
00:14:57,746 --> 00:14:58,532
See you next time.

