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The devil in Faust

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lives in everyone's mind.

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A man

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has mastered philosophy, law, medicine, and theology.

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He is a professor,

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a doctor,

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the most learned man in the eyes of his students.

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But late one night,

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sitting in his study,

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surrounded by walls of books,

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he said one thing:

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"This is my world.

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This is a prison."

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Among all the books on those walls,

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not one could answer the real question in his heart.

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What question?

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He couldn't put it into words.

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He only knew that

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the more knowledge he gained,

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the heavier that question became,

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so heavy that he wanted to drink poison.

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At that very moment,

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the devil arrived.

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The devil said,

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"Give me your soul,

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and I will let you experience what books never can:

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the pleasure of life,

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the thrill of power,

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the ultimate beauty."

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"There is only one condition:

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If one day

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you say to a single moment,

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'Linger on now,

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thou art so fair,'

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at that moment,

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your soul shall be mine."

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This is Goethe's 'Faust,' which took sixty years to write.

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Hello,

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everyone.

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I am Wang Lijie.

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This is the series: 'Deconstructing Classics through Buddhism.'

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Previously, we explored the seeds and seasons of 'Flowers in the Mirror,'

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conceptual attachment in 'Dream of the Red Chamber,'

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the restless mind-monkey of 'Journey to the West,'

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emotional obsession in 'The Peony Pavilion,'

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the five stages of morality in 'Su Shu,'

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the fork of Samatha and Vipassana in 'Meditations,'

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and the incompleteness of 'Gödel, Escher, Bach.'

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Today, we reach one of the peaks of Western literature.

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We will deconstruct a masterpiece whose name most people know,

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but few have read in its entirety:

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'Faust.'

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Goethe began its conception in his twenties

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and didn't finish until the year before he died at eighty-two.

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Over 12,000 lines of poetry,

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spanning sixty years.

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It is no exaggeration to say

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this is a man using his entire life

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to answer a single question:

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'What is the purpose of being alive?'

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Today, re-examining this story through the lens of Buddhism,

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we find three chilling realizations.

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First,

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Faust's suffering

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does not stem from ignorance.

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On the contrary, it's because he knows too much.

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Look at his opening monologue.

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Philosophy, law, medicine, theology—

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he has studied all four major disciplines.

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Still not enough,

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he turned to magic and the occult.

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And the result?

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He said something startling:

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"We can know nothing."

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Note,

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he isn't saying he failed to learn practical things.

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He is saying

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that all this knowledge combined

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cannot bring him in touch with reality.

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In Buddhism, there is a precise name for this.

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It is called the "obstruction of the known."

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Strictly speaking,

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In Yogachara, this refers to the dualistic cognitive structure of subject and object;

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I corrected and detailed this in a previous episode.

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But it has a more colloquial, everyday meaning,

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which is the level I'm focusing on today.

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It doesn't mean you don't know anything;

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on the contrary,

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it means you know too much.

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So much that your knowledge becomes a wall,

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blocking the truth out.

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Have you ever met someone like this?

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They seem to know everything;

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they can talk about any topic,

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and quote theories with ease.

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But when you talk to them,

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you feel something is missing.

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What is it?

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The ability to face something directly.

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They are always using concepts to explain concepts,

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using theories to support theories.

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Like someone standing in a house of mirrors,

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surrounded by reflections,

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but unable to see their true self.

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Many fans tell me,

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"You share so much every day,

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explaining concept after concept;

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you might be one of those people—knowing too much

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but lacking actual realization."

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I think they have a point.

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Moreover,

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Ananda, the Buddha's attendant,

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was foremost in hearing the teachings.

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He was by the Buddha's side for twenty-five years,

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heard the most sutras, and had the best memory,

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yet he only attained Arhatship the night before the First Council.

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Of course,

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the reasons for Ananda's late enlightenment are complex,

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traditionally attributed more to his emotional attachments.

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It wasn't just a matter of "knowing too much."

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But the fact that the most learned person wasn't the first to awaken

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is worth reflecting on.

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Faust is that person.

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I might be, too.

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In Buddhism,

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the "obstruction of afflictions" is coarse—

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greed, anger, ignorance, pride, and doubt.

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You can feel these.

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But the "obstruction of the known" is subtle,

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so subtle you mistake it for wisdom itself.

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You think that wall is a window,

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that you're seeing the world through it.

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But you don't realize

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everything you see

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is just a projection on that wall.

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Faust's emptiness after mastering four major disciplines

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wasn't the emptiness of ignorance;

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it was the emptiness of surplus knowledge.

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Like someone who has tasted every dish on earth

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and suddenly finds they can no longer taste anything.

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It's not the food's fault;

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it's that their sense of taste is overwhelmed.

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As we've mentioned many times on this channel,

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the brain is a prediction engine,

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a local carbon-based model.

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It trains and infers simultaneously.

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It doesn't passively receive the world;

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it actively uses existing models to predict it.

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The more knowledge you have,

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the thicker the model becomes.

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Predictions may become more precise,

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and you feel like you understand everything.

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But the problem is,

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do you understand the world itself,

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or just your own model?

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Faust is a man trapped by his own model.

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His model is powerful enough to predict everything,

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except for one thing:

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authentic experience.

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Because experience cannot be reached through prediction.

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Experience is what remains

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after you let go of prediction.

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That's the first layer.

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The second thing is even more interesting.

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Mephistopheles, the devil who makes the deal with Faust,

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Mephistopheles,

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didn't come from hell.

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He was always in Faust's mind.

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Goethe wrote an introduction for him

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that provides the key to the whole play.

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He said,

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"I am part of that power

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which always wills evil

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and always produces good."

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Then he said another thing:

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"I am the spirit that always denies."

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"Always denies."

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Did you notice the weight of those two words?

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Not occasional denial,

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not conditional denial,

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but always.

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This means,

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no matter what you achieve,

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he will whisper in your ear,

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"Not enough."

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"Not enough."

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"Still not enough."

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You reach an achievement,

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and he says,

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"So what?"

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You experience a wonderful romance,

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and he says,

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"It will end."

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You stand on a peak and see the whole world,

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and he says,

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"You will die eventually."

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In Buddhism,

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this is 'Manas consciousness.'

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What is Manas consciousness?

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We've discussed it many times on this channel.

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It's the background program that's always running in your mind.

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It has only one core function:

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it labels every experience.

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"This is mine."

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"This relates to me."

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"This isn't enough."

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"I want more."

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Mephistopheles didn't inject Faust

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with anything that didn't already exist in him.

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He just externalized

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that voice of eternal dissatisfaction in Faust's heart,

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turning it into a character for dialogue.

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This is where Goethe's genius lies.

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He didn't write an evil force invading from outside;

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he wrote a mirror.

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Think about it.

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What did Mephistopheles take Faust to experience?

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Wine, lust, power, Helen of Troy—the peerless beauty of ancient Greece,

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and even the grand project of reclaiming land from the sea.

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Every single time,

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Faust was left unsatisfied after the experience.

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Why?

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Not because the experiences weren't good enough,

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but because Mephistopheles—

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that internal voice of constant denial—

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simply would not allow him to be satisfied.

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Manas consciousness has a very cunning trait:

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it denies bad experiences, and,

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it also denies good ones.

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You enjoy a wonderful meal,

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and it says,

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"What about the next one?"

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You make a good friend,

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and it says,

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"What if they leave you?"

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You do a good deed,

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and it says,

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"Did anyone see that?"

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It isn't protecting you;

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it's draining you dry.

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It makes you live forever in the next goal,

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never able to settle in the here and now.

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And the wager between Faust and Mephisto

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targets exactly this vulnerability.

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Mephisto says,

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'If you ever say to any moment,

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"Stay, linger a while,

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you are so beautiful,"

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then your soul shall be mine.'

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On the surface,

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this is the devil betting Faust will be captured by pleasure.

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But if you think about it the other way,

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do you see a deeper paradox?

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The reason Faust can never say those words

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is not because he hasn't met a beautiful moment,

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but because the Mephisto in his mind,

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that Manas consciousness,

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never allows him to stop at any moment.

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Have you ever had this experience in your life?

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You finally get the thing you dreamed of—

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a house, a position, a relationship,

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whatever it may be.

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The second you have it,

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the joy only lasts for a moment,

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and then that voice inside immediately says,

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'What is the next goal?'

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That voice

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is the Mephisto within you.

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What does Buddhism call this?

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The mechanism of 'greed' or 'craving.'

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Greed isn't just about wanting something;

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it's always wanting the *next* thing.

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The essence of greed isn't possession,

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it's the inability to settle.

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Your hand is always reaching forward,

276
00:09:03,462 --> 00:09:04,676
never quite grasping it.

277
00:09:04,982 --> 00:09:06,635
Not because the goal is too far,

278
00:09:06,822 --> 00:09:09,076
but because the act of reaching itself

279
00:09:09,143 --> 00:09:10,635
has become a habit.

280
00:09:11,102 --> 00:09:12,155
That's the second layer.

281
00:09:12,623 --> 00:09:13,855
Before we discuss the third layer,

282
00:09:14,263 --> 00:09:15,596
I want to talk about someone:

283
00:09:16,062 --> 00:09:16,916
Gretchen.

284
00:09:17,503 --> 00:09:21,275
Gretchen is the first woman Faust meets with Mephisto's help.

285
00:09:21,663 --> 00:09:24,755
A simple, kind, and pious young girl.

286
00:09:25,062 --> 00:09:26,015
Did Faust love her?

287
00:09:26,702 --> 00:09:27,796
I think he did.

288
00:09:28,263 --> 00:09:29,556
But the way he loved her

289
00:09:29,702 --> 00:09:32,596
exposed another mode of how Manas operates.

290
00:09:33,062 --> 00:09:37,475
Faust used jewels and magic from Mephisto to attract Gretchen.

291
00:09:37,702 --> 00:09:39,235
The two fell madly in love.

292
00:09:39,623 --> 00:09:40,995
But in this relationship,

293
00:09:41,023 --> 00:09:43,022
to open the door for Faust,

294
00:09:43,023 --> 00:09:44,916
Gretchen gave her mother a sleeping potion;

295
00:09:45,102 --> 00:09:47,076
the mother never woke up.

296
00:09:47,702 --> 00:09:51,676
Her brother fought Faust to defend the family's honor,

297
00:09:51,822 --> 00:09:53,395
but was ambushed by Mephisto

298
00:09:53,528 --> 00:09:54,328
and died.

299
00:09:54,503 --> 00:09:56,875
Gretchen became pregnant with Faust's child.

300
00:09:57,222 --> 00:09:58,395
Faust ran away.

301
00:09:58,783 --> 00:10:01,861
In despair, Gretchen drowned her own child,

302
00:10:01,863 --> 00:10:03,182
was imprisoned,

303
00:10:03,182 --> 00:10:04,235
and awaited execution.

304
00:10:04,783 --> 00:10:05,855
Faust returned,

305
00:10:06,143 --> 00:10:07,076
wanting to save her,

306
00:10:07,543 --> 00:10:09,035
but Gretchen refused.

307
00:10:09,383 --> 00:10:10,615
She chose to stay in prison

308
00:10:11,023 --> 00:10:12,035
to face judgment.

309
00:10:12,663 --> 00:10:13,375
Do you see it?

310
00:10:13,942 --> 00:10:16,395
In his pursuit of 'experience,'

311
00:10:16,543 --> 00:10:19,596
Faust treated a whole human being as a mere stop along the itinerary.

312
00:10:20,102 --> 00:10:21,875
He didn't hurt her on purpose,

313
00:10:22,102 --> 00:10:26,916
but his Manas made it impossible to truly stay with one person.

314
00:10:27,582 --> 00:10:29,596
What he needed wasn't to love someone,

315
00:10:29,663 --> 00:10:32,275
but to experience the *feeling* of being in love.

316
00:10:32,783 --> 00:10:33,816
Once the feeling was spent,

317
00:10:34,143 --> 00:10:35,196
he left.

318
00:10:35,623 --> 00:10:36,535
The ruins left behind

319
00:10:36,903 --> 00:10:38,275
all belonged to someone else.

320
00:10:38,543 --> 00:10:40,836
This is the cruelest part of attachment.

321
00:10:41,263 --> 00:10:42,796
It doesn't just harm you,

322
00:10:42,942 --> 00:10:46,076
it drags those around you into your chain of karma.

323
00:10:46,423 --> 00:10:49,196
You think you're just pursuing your own life,

324
00:10:49,543 --> 00:10:51,796
but wherever your pursuit leads,

325
00:10:51,903 --> 00:10:54,596
you leave behind people crushed by your obsession.

326
00:10:54,903 --> 00:10:55,895
How would Buddhism view

327
00:10:56,302 --> 00:10:57,255
Gretchen's tragedy?

328
00:10:57,783 --> 00:11:01,035
She is the bearer of collective karma in Faust's chain.

329
00:11:01,543 --> 00:11:04,596
The cause Faust sowed was a greedy attachment to experience;

330
00:11:04,863 --> 00:11:08,076
Gretchen is the bitterest fruit grown from that seed.

331
00:11:08,543 --> 00:11:11,755
Yet her choice to stay in prison and face judgment

332
00:11:12,023 --> 00:11:15,796
is actually the closest moment to awakening in the play.

333
00:11:16,543 --> 00:11:17,741
She stops running,

334
00:11:17,743 --> 00:11:20,062
stops using any means to fight fate.

335
00:11:20,062 --> 00:11:20,975
She halts.

336
00:11:21,182 --> 00:11:22,076
She faces it.

337
00:11:22,182 --> 00:11:22,375
Alright.

338
00:11:22,663 --> 00:11:24,142
Now for the third level,

339
00:11:24,143 --> 00:11:25,556
the deepest level,

340
00:11:25,582 --> 00:11:27,755
and the most controversial part of Faust.

341
00:11:28,023 --> 00:11:29,755
At the end of Part Two,

342
00:11:30,102 --> 00:11:31,716
Faust is very old.

343
00:11:32,023 --> 00:11:33,916
He is reclaiming land from the sea,

344
00:11:34,182 --> 00:11:37,275
hoping to build a free land for a free people.

345
00:11:37,623 --> 00:11:39,556
He imagines this future scene,

346
00:11:39,702 --> 00:11:42,836
free people standing on a free soil.

347
00:11:42,982 --> 00:11:45,755
At this vision, he finally says the words:

348
00:11:46,023 --> 00:11:46,735
"Linger a while,

349
00:11:47,023 --> 00:11:47,916
thou art so fair."

350
00:11:48,423 --> 00:11:50,035
Then he falls dead.

351
00:11:50,222 --> 00:11:50,936
Per their agreement,

352
00:11:51,182 --> 00:11:53,436
his soul should belong to Mephistopheles.

353
00:11:53,822 --> 00:11:56,475
But Goethe wrote an unexpected ending.

354
00:11:57,302 --> 00:11:58,956
Angels descend from heaven,

355
00:11:59,062 --> 00:12:01,035
and while Mephisto is distracted,

356
00:12:01,102 --> 00:12:02,895
they snatch Faust's soul away

357
00:12:03,062 --> 00:12:04,395
and take it to heaven.

358
00:12:04,743 --> 00:12:05,895
What was the angels' justification?

359
00:12:06,383 --> 00:12:08,155
Goethe wrote a line at the very end:

360
00:12:08,543 --> 00:12:09,735
"He who strives on and on,

361
00:12:10,023 --> 00:12:11,635
him we can redeem."

362
00:12:11,942 --> 00:12:16,115
For 200 years, this has been hailed as the anthem of the human spirit.

363
00:12:16,342 --> 00:12:17,495
Ceaseless pursuit,

364
00:12:17,822 --> 00:12:19,355
the will to always move forward;

365
00:12:19,462 --> 00:12:21,556
this is seen as the dignity of being human.

366
00:12:21,903 --> 00:12:24,436
But if you view this line through Buddhist eyes,

367
00:12:24,462 --> 00:12:26,635
you see something very subtle.

368
00:12:27,102 --> 00:12:28,515
Isn't "ceaseless pursuit"

369
00:12:28,543 --> 00:12:31,216
the perfect operating mode of the Manas-vijnana?

370
00:12:31,743 --> 00:12:32,635
Think about it.

371
00:12:33,182 --> 00:12:34,535
Mephisto's wager was:

372
00:12:34,982 --> 00:12:36,381
"If you ever stop,

373
00:12:36,383 --> 00:12:37,515
your soul belongs to me."

374
00:12:37,783 --> 00:12:39,875
Faust did eventually stop;

375
00:12:39,982 --> 00:12:42,755
he spoke those words to that imagined moment.

376
00:12:43,263 --> 00:12:43,936
By the terms of the bet,

377
00:12:44,342 --> 00:12:44,936
he lost.

378
00:12:45,342 --> 00:12:47,035
His soul should belong to the devil.

379
00:12:47,342 --> 00:12:49,196
But Goethe didn't accept this outcome.

380
00:12:49,503 --> 00:12:51,635
He used the angels to force a reversal,

381
00:12:51,942 --> 00:12:54,916
arguing that because Faust strove all his life,

382
00:12:54,942 --> 00:12:56,475
he deserved to be saved.

383
00:12:56,743 --> 00:12:57,456
In other words,

384
00:12:57,783 --> 00:12:59,796
Goethe used a lifetime's balance

385
00:12:59,942 --> 00:13:01,956
to override the wager of a single moment.

386
00:13:02,503 --> 00:13:05,235
This handling is intriguing in itself,

387
00:13:05,582 --> 00:13:08,076
but Buddhism asks an even more uncomfortable question:

388
00:13:08,582 --> 00:13:10,755
Isn't "ceaseless striving" as a reason for salvation

389
00:13:10,783 --> 00:13:13,576
simply the most dignified cloak the Manas-vijnana wears?

390
00:13:14,222 --> 00:13:18,076
Someone driven by "not enough, I want more,"

391
00:13:18,143 --> 00:13:19,956
versus someone who "strives ceaselessly"—

392
00:13:19,982 --> 00:13:21,576
from the outside, what's the difference?

393
00:13:22,143 --> 00:13:23,782
If you are always pursuing,

394
00:13:23,783 --> 00:13:25,216
when are you ever living in the present?

395
00:13:25,863 --> 00:13:28,716
If your freedom is defined as never stopping,

396
00:13:28,743 --> 00:13:31,581
then how are you different from a machine

397
00:13:31,582 --> 00:13:32,375
set to never turn off?

398
00:13:33,062 --> 00:13:34,355
Stoic philosophy says

399
00:13:34,383 --> 00:13:37,221
freedom lies in discerning what is within your control

400
00:13:37,222 --> 00:13:38,155
and what is not.

401
00:13:38,462 --> 00:13:41,716
We broke this down in the episode on Meditations.

402
00:13:41,982 --> 00:13:43,635
Buddhism goes even more fundamental.

403
00:13:43,942 --> 00:13:45,755
Freedom isn't about eternal pursuit;

404
00:13:45,903 --> 00:13:48,956
it's the ability to find stillness in any given moment,

405
00:13:49,023 --> 00:13:52,395
and then voluntarily choosing whether to continue.

406
00:13:52,783 --> 00:13:53,495
What is the difference?

407
00:13:54,062 --> 00:13:56,176
It lies in whether that choice is free

408
00:13:56,423 --> 00:13:57,676
or if it was forced.

409
00:13:57,942 --> 00:13:59,635
Goethe's Faust

410
00:13:59,663 --> 00:14:01,836
is pushed forward by a certain force.

411
00:14:02,062 --> 00:14:03,535
That force is called diligence,

412
00:14:03,903 --> 00:14:05,155
unwillingness to settle,

413
00:14:05,263 --> 00:14:07,196
and a thirst for life.

414
00:14:07,543 --> 00:14:09,096
Buddhism does not deny diligence;

415
00:14:09,543 --> 00:14:11,515
it is one of the Eightfold Paths.

416
00:14:11,543 --> 00:14:12,375
But Buddhism says

417
00:14:12,702 --> 00:14:14,221
diligence is a knife;

418
00:14:14,222 --> 00:14:16,395
it depends on what you use it to cut.

419
00:14:16,663 --> 00:14:20,076
If your diligence is an escape from present dissatisfaction,

420
00:14:20,222 --> 00:14:22,716
then you are just running more elegantly.

421
00:14:23,023 --> 00:14:23,696
No matter how far you run,

422
00:14:23,942 --> 00:14:25,822
the Mephistopheles on your shoulder

423
00:14:25,822 --> 00:14:27,716
will be wherever you are.

424
00:14:27,903 --> 00:14:31,716
But if your diligence arises from a place of stillness;

425
00:14:31,743 --> 00:14:33,196
if you can stop first,

426
00:14:33,222 --> 00:14:35,796
and remain undriven in any given moment,

427
00:14:35,822 --> 00:14:37,995
before choosing to move forward,

428
00:14:38,503 --> 00:14:40,235
that is a completely different matter.

429
00:14:40,582 --> 00:14:41,495
That is not an escape;

430
00:14:41,783 --> 00:14:42,796
it is a departure.

431
00:14:43,383 --> 00:14:44,916
Goethe stopped there.

432
00:14:45,263 --> 00:14:47,676
He gave Faust an external salvation;

433
00:14:48,062 --> 00:14:48,816
the angels came

434
00:14:49,023 --> 00:14:50,475
and took his soul away.

435
00:14:50,942 --> 00:14:51,975
But Buddhism would say

436
00:14:52,543 --> 00:14:54,355
no one is coming from the outside to save you.

437
00:14:54,623 --> 00:14:56,115
It's not an angel that saves you,

438
00:14:56,263 --> 00:14:59,596
but your own realization that Mephistopheles is no one else

439
00:14:59,663 --> 00:15:01,836
but the voice of your own Manas-vijnana.

440
00:15:02,342 --> 00:15:04,015
When you stop fighting it,

441
00:15:04,543 --> 00:15:05,556
and simply observe it,

442
00:15:05,582 --> 00:15:06,755
it becomes quiet.

443
00:15:07,143 --> 00:15:08,135
Why shouldn't you fight it?

444
00:15:08,663 --> 00:15:11,196
Because fighting is its favorite game.

445
00:15:11,423 --> 00:15:12,216
The more you struggle against it,

446
00:15:12,423 --> 00:15:13,556
the stronger it becomes.

447
00:15:13,863 --> 00:15:15,115
If you say, "I must not be greedy,"

448
00:15:15,263 --> 00:15:17,796
this "must not" is itself a form of greed.

449
00:15:18,222 --> 00:15:19,875
If you say, "I want to overcome desire,"

450
00:15:19,942 --> 00:15:23,316
this urge to overcome is itself a desire.

451
00:15:23,623 --> 00:15:26,275
This is Faust's deepest tragedy.

452
00:15:26,582 --> 00:15:28,755
He spent a lifetime struggling with the devil,

453
00:15:28,822 --> 00:15:30,275
never realizing

454
00:15:30,302 --> 00:15:31,176
that the struggle itself

455
00:15:31,543 --> 00:15:33,676
was the devil's greatest victory.

456
00:15:34,023 --> 00:15:34,336
You see,

457
00:15:34,743 --> 00:15:37,475
Goethe and Buddha saw the same thing:

458
00:15:37,982 --> 00:15:40,796
an insatiable voice within the human heart.

459
00:15:41,143 --> 00:15:43,635
But they prescribed completely different remedies.

460
00:15:44,023 --> 00:15:45,056
Goethe's solution was

461
00:15:45,383 --> 00:15:47,196
to let that voice push you to run,

462
00:15:47,222 --> 00:15:48,916
to achieve great deeds,

463
00:15:49,062 --> 00:15:52,556
and to answer restlessness with constant creation and action.

464
00:15:52,702 --> 00:15:54,395
And then you are saved.

465
00:15:54,743 --> 00:15:56,936
In many ways, Western civilization

466
00:15:57,102 --> 00:15:59,235
is built upon this very belief.

467
00:15:59,543 --> 00:16:03,221
Progress, innovation, conquering nature, and expansion

468
00:16:03,222 --> 00:16:05,956
are all driven by this never-ending diligence.

469
00:16:06,383 --> 00:16:07,375
Buddha's solution was

470
00:16:07,743 --> 00:16:08,755
to turn around,

471
00:16:08,982 --> 00:16:09,895
look at that voice,

472
00:16:10,302 --> 00:16:11,956
and see clearly what it is.

473
00:16:12,423 --> 00:16:13,296
Neither fighting it

474
00:16:13,623 --> 00:16:14,836
nor obeying it.

475
00:16:15,263 --> 00:16:16,635
You just watch it,

476
00:16:17,342 --> 00:16:18,176
and then you realize

477
00:16:18,623 --> 00:16:19,836
it is not you;

478
00:16:20,182 --> 00:16:21,755
it is just a program.

479
00:16:22,263 --> 00:16:24,676
Once you see it as just a program,

480
00:16:25,023 --> 00:16:27,395
its control over you vanishes.

481
00:16:27,942 --> 00:16:29,395
You don't need to be saved,

482
00:16:29,582 --> 00:16:32,155
because you were never trapped to begin with.

483
00:16:32,582 --> 00:16:34,515
It's not a cage that's trapping you,

484
00:16:34,743 --> 00:16:37,796
it's the belief that the cage exists.

485
00:16:38,102 --> 00:16:40,995
Goethe points to outward-expanding greatness;

486
00:16:41,342 --> 00:16:44,196
Buddha points to inward-abiding freedom.

487
00:16:44,582 --> 00:16:45,336
Which one is better?

488
00:16:45,543 --> 00:16:46,676
I really don't know.

489
00:16:46,942 --> 00:16:49,436
Perhaps these two paths aren't mutually exclusive.

490
00:16:49,543 --> 00:16:53,062
Maybe you need to run outward like Faust first,

491
00:16:53,062 --> 00:16:54,596
before you are willing to look inward.

492
00:16:54,863 --> 00:16:57,035
Perhaps Faust's sixty-year journey

493
00:16:57,102 --> 00:17:00,275
is a path that must be completed to be let go.

494
00:17:00,623 --> 00:17:03,861
Didn't Buddha himself live as a prince for 29 years,

495
00:17:03,863 --> 00:17:05,355
enjoying all worldly splendors,

496
00:17:05,383 --> 00:17:06,576
before choosing to leave it all behind?

497
00:17:07,063 --> 00:17:09,596
Who's to say getting lost isn't another way of arriving?

498
00:17:09,903 --> 00:17:11,435
But I know one thing:

499
00:17:11,742 --> 00:17:13,855
The next time that voice in your head says,

500
00:17:14,222 --> 00:17:14,836
"Not enough,"

501
00:17:15,022 --> 00:17:15,655
"Give me more,"

502
00:17:15,982 --> 00:17:17,355
"Try a little harder,"

503
00:17:17,502 --> 00:17:19,336
you can at least stop for three seconds

504
00:17:19,663 --> 00:17:20,516
and look at it.

505
00:17:20,942 --> 00:17:21,615
Is that you?

506
00:17:22,182 --> 00:17:24,016
Or is it just a habit you've kept for too long?

507
00:17:24,782 --> 00:17:26,036
The answer to this question

508
00:17:26,103 --> 00:17:28,276
might be more important than reading a hundred books.

509
00:17:28,663 --> 00:17:32,119
Goethe spent sixty years writing about a man

510
00:17:32,119 --> 00:17:33,955
making a deal with the voices in his head,

511
00:17:34,262 --> 00:17:37,155
betting on whether he would ever say to a moment,

512
00:17:37,249 --> 00:17:38,048
"Enough."

513
00:17:38,343 --> 00:17:39,195
He said it.

514
00:17:39,542 --> 00:17:40,296
And then Goethe says,

515
00:17:40,702 --> 00:17:41,556
he won.

516
00:17:42,022 --> 00:17:42,816
What do you think?

517
00:17:43,343 --> 00:17:45,895
Did Faust win or lose in the end?

518
00:17:46,663 --> 00:17:48,862
Was his soul truly saved,

519
00:17:48,863 --> 00:17:51,455
or was it just taken over by a higher form of obsession?

520
00:17:52,222 --> 00:17:54,675
Let me know your answer in the comments.

521
00:17:55,143 --> 00:17:55,855
This is Wang Lijie.

522
00:17:56,182 --> 00:17:56,951
See you next time.
